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Film
Continuity of action from shot to shot was also refined, such as in Pathé’s le Cheval emballé (The Runaway Horse) (1907) where cross-cutting between parallel actions is used. D. W. Griffith also began using cross-cutting in the film The Fatal Hour, made in July 1908. Another development was the use of the point of view shot, first used in 1910 in Vitagraph’s Back to Nature. Insert shots were also used for artistic purposes; the Italian film La mala planta (The Evil Plant), directed by Mario Caserini had an insert shot of a snake slithering over the “Evil Plant”. By 1914 it was widely held in the American film industry that cross-cutting was most generally useful because it made possible the elimination of uninteresting parts of the action that play no part in advancing the drama.
Development of continuous action across multiple shots was furthered in England by a loosely associated group of film pioneers collectively termed “the Brighton School”. These filmmakers included George Albert Smith and James Williamson, among others. Smith and Williamson experimented with action continuity and were likely the first to incorporate the use of inserts and close-ups between shots. A basic technique for trick cinematography was the double exposure of the film in the camera. The effect was pioneered by Smith in the 1898 film, Photographing a Ghost. According to Smith’s catalogue records, the (now lost) film chronicles a photographer’s struggle to capture a ghost on camera. Using the double exposure of the film, Smith overlaid a transparent ghostly figure onto the background in a comical manner to taunt the photographer. Smith’s The Corsican Brothers was described in the catalogue of the Warwick Trading Company in 1900: “By extremely careful photography the ghost appears *quite transparent*. After indicating that he has been killed by a sword-thrust, and appealing for vengeance, he disappears. A ‘vision’ then appears showing the fatal duel in the snow.” Smith also initiated the special effects technique of reverse motion. He did this by repeating the action a second time, while filming it with an inverted camera, and then joining the tail of the second negative to that of the first. The first films made using this device were Tipsy, Topsy, Turvy and The Awkward Sign Painter. The earliest surviving example of this technique is Smith’s The House That Jack Built, made before September 1900. Cecil Hepworth took this technique further by printing the negatives of the forward motion in reverse frame by frame, producing a print in which the original action was exactly reversed. To do this he built a special printer in which the negative running through a projector was projected into the gate of a camera through a special lens giving a same-size image. This arrangement came to be called a “projection printer”, and eventually an “optical printer”.
A film, also called a movie or a motion picture, is a series of still photographs on film projected onto a screen using light in rapid succession. The optical phenomenon known as persistence of vision gives the illusion of actual, smooth, and continuous movement.
John P. Harris opened the first permanent theater devoted exclusively to the presentation of films, the nickelodeon, in 1905 in Pittsburgh, Pennsylvania. The idea rapidly took off and by 1908, there were around 8,000 nickelodeon theaters across the country. With the arrival of the nickelodeon, audience demand for a larger quantity of story films with a variety of subjects and locations led to a need to hire more creative talent and caused studios to invest in more elaborate stage designs.
Italian companies also had a strong line in slapstick comedy, with actors like André Deed, known locally as “Cretinetti”, and elsewhere as “Foolshead” and “Gribouille”, achieving worldwide fame with his almost surrealistic gags.
A film, also known as a movie or motion picture, is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, emotions, or atmosphere through the use of moving images that are generally, since the 1930s, synchronized with sound and (less commonly) other sensory stimulations. The word “cinema” is borrowed from the French cinéma, an abbreviation of cinématographe (term coined by the Lumière brothers in the 1890s), from Ancient Greek meaning “recording movement”. The word is today usually used to refer to either a purpose-built venue for screening films, known as a movie theater in the US; the film industry; the overall art form of specifically just filmmaking.
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